Spring 2026 Course Descriptions: Stamford Campus

Spring 2026


For guidance about courses, majors, and minors, contact any English faculty member or Professor Roden, Stamford English Curriculum Coordinator, at frederick.roden@uconn.edu or Inda Watrous, English Undergraduate Advisor, at inda.watrous@uconn.edu.

All forms and details about major and minor requirements can be found at http://advising.english.uconn.edu.

Helpful Information for Non-Majors

  •  1000-level courses do not count toward the English major but are terrific introductions to literary study and typically serve GenEd Category 1b or 4 and their equivalents in the new Common Curriculum.
  • If you think you might be interested in an English major, try out a course; if you know you’re set on the major, plan on taking 2600 as early as possible.
  • Non-majors are welcome in advanced courses (including the 3000- and 4000-level); check your preparedness with an instructor before registering if you have questions. Following completion of the first-year writing requirement, most upper-level courses are open to all students. If you encounter difficulty in registering, contact the instructor or Prof. Roden.
  •  English courses make great “related field” classes for many other majors. Check with your major advisor for appropriateness of choices.
  •  

    The English minor is highly recommended and easy to accomplish: see https://advising.english.uconn.edu/minoring-in-english/ to determine your requirements.

  • The English major makes a terrific second major. You can find plans of study here: https://advising.english.uconn.edu/plans-of-study/
  • Remember you can complete the English major at the Stamford Campus; there’s no need to branchfer. Many students enroll in pre-professional grad programs (for example, in education) immediately following their degree.
  • Reach out to an English faculty member or advisor to learn about what you can do with an English major or minor. We and the Center for Career Development can help you brainstorm, point you toward internships, and introduce you to alumni working in a range of different fields.

Helpful Information for Stamford English Majors and Minors

1. Engl 2600 (Major Requirement A or “Methods for the Major”) is offered annually in the Fall semester. Students should plan on taking this course as early as possible in their studies.

2. A single-author course (Major Requirement D, Plan of Study 2017-2020) is offered annually or every third semester. We will deliver Engl 3503W in Spring 2026.

3. An “Advanced Study” course (Major Requirement E, Plan of Study 2017-2020) is typically offered annually or every third semester. It will be taught at Stamford in Spring 2026 (Engl 4203W).

4. We offer at least one pre-1800 course each semester (Engl 3503W in Spring 2026). All plans of study require two classes categorized either as pre-1800 or “Early Literary, Cultural, and Linguistic History.” Check with your advisor or the coordinator if you have questions.

5. We regularly offer courses in the “Antiracism, Globality, and Embodiment” category: this term, Engl 2301W (Group 1) and Engl 3611 and Engl 3629 (Group 2) .

6. We offer a variety of survey and methods courses each semester for Catalog Years 2017-2020. This term Major Requirement B1=Engl 2101; B2=Engl 2203; Major Requirement C= Engl 2409.

7. Check out these helpful links on the advising site: English Courses and Categories Satisfied, https://advising.english.uconn.edu/categories-satisfied/; and Related Courses, https://advising.english.uconn.edu/related-courses-2/. For catalog descriptions, see https://catalog.uconn.edu/undergraduate/courses/engl/

Catalog years 2017-2020 allow for 9 elective credits; Catalog years 2021-2025 allow for 12. Courses that meet a requirement you have already satisfied can count for elective credit.

Tracks: Optional Concentrations Within the Major

The Stamford Campus offers courses towards a number of different “tracks” within the 2021-2025 English major plan of study. Term offerings are as noted below.

Creative Writing: Engl 2409, Engl 2640, Engl 3715E

Cultural Studies/Media Studies: Engl 2640

English Teaching: Engl 2013W, Engl 2409, Engl 2635E, Engl 2640, Engl 3715E

Literature, Antiracism, and Social Justice: Engl 2301W, Engl 2635E, Engl 3611, Engl 3629

Literary Histories and Legacies: Engl 2101, Engl 2203, Engl 2301W, Engl 3503W

Literature of Place and Environment: Engl 2635E, Engl 3715E

Writing and Composition Studies: Engl 2013W, Engl 3715E

Pre-Teaching Secondary Ed English

The Stamford Campus regularly offers courses to prepare students for teaching careers. For Spring 2026, the following classes count as indicated:

Engl 2013W (TCPCG Composition)

Engl 2101 (TCPCG British)

Engl 2203 (TCPCG and IB/M American)

Engl 2409 (TCPCG and IB/M Genre)

Engl 2301W (TCPCG and IB/M International)

Engl 2635E (TCPCG and IB/M Genre)

Engl 2640 (TCPCG and IB/M Genre)

Engl 3503W (TCPCG and IB/M British)

Engl 3611 (TCPCG and IB/M Multicultural)

Engl 3629 (TCPCG and IB/M International)

Engl 4203W (TCPCG and IB/M Multicultural)

The Writing Minor

The Stamford Campus allows students to complete the Writing Minor.

The following courses are offered this term: Engl 2013W (core required course), Engl 3715E.

Learn more about the Writing minor here

2000-Level Courses

2013W: Introduction to Writing Studies

Prerequisites: ENGL 1007 or 1010 or 1011 

2013W | TuTh 2-3:15 | Gorkemli, Serkan

This course will introduce you to a field of inquiry that focuses on writing’s social and ethical implications across diverse traditions, contexts, and technologies. Readings and discussion topics will cover threshold concepts and theories of writing, and ways of researching it in social and professional contexts. Assignments in this writing-intensive (W) course will include an autobiographical literacy narrative, an essay based on interviews with people who write at work, and research and reflections on the use of AI in reading and writing.

 

2101: British Literature II

Prerequisites: ENGL 1007 or 1010 or 1011 

2101| M 3:35-6:05| Roden, Frederick

British Literature II examines a broad variety of genres (poetry, non-fiction prose, and novel/short story) in three historical periods, from about 1800 to roughly 1950: Romanticism, Victorianism, and Modernism. We will pay particular attention to works and movements on the margins of these categorical terms. This era was one of tremendous change with respect to definitions of identity: race, class, gender, sexual orientation, national and ethnic self-understanding, and religion -- just to name a few. We will analyze the literature through the lens of a politics of cultural shift, the notion of “progress,” technological as well as social “revolution,” and the idea of "subjectivity": the speaking self.

Engl 2101 will examine a variety of authors and movements chronologically across some two centuries of British literary/cultural history.  Class will combine lecture and discussion.  Students will take weekly in-class quizzes, write three short (3-page) papers, and develop a cumulative final essay exam (open-book and -notebook) responding to a prompt.  We will also have a field trip concerning comparative cultural production (museum, theatre, and/or music); a substitution is possible for those unavailable to attend.

 

Engl 2101 is open to any student who has completed Engl 1007 or 1010/1011.  It is strongly recommended for majors.  Engl 2100 counts for the English major’s “Literary Histories and Legacies” track (as well as earlier plans of study English B1 requirement ); the English minor; and GenEd 1b.  Under the new Common Curriculum, Engl 2100 serves Topics of Inquiry 2: Cultural Dimensions of Human Experience.  It satisfies the British Literature requirement for TCPCG preparation.  

 

 

2203: American Literature Since 1880

Prerequisites: ENGL 1007 or 1010 or 1011

2203| M 9:05-11:35 | Pierrot, Gregory

This course will cover American Literature from 1880 to today. Our goal in this course will be to gain a better understanding of the developments and trends in American literature throughout that period, exploring their aesthetic and ideological characteristics, analyze  We will discuss what made modern American literature, what ideals and concerns it grappled with, how it engaged with the national and individual questions of its time. Using the Norton Anthology as well as several other sources, we will read a mix of fiction, poetry and drama from Maria Amparo Ruiz de Burton to Toni Morrison, Stephen Crane to Sherman Alexie. The course will consist of short lectures and analytical discussions about readings. You will be expected to participate, do the readings and prepare for class. Students will write short textual annotations and two short essays throughout the semester.

Prerequisites: ENGL 1007 or 1010 or 1011 or 2011.

 

 

2301W: Anglophone Literatures

Prerequisites: ENGL 1007 or 1010 or 1011.

2301W| Sa 10:00-12:30 | Moeckel-Rieke, Hannelore

 

2409: The Modern Novel

Prerequisites: ENGL 1007 or 1010 or 1011 

2409| TuTh 11-12:15| Cramer, Patricia

 

2635E: Literature and the Environment

Prerequisites: ENGL 1007 or 1010 or 1011

2635E|M 12:20-2:50 |Sarkar, Debapriya

This course provides a trans-historical introduction to the literary treatment of environmental issues. Focusing on texts from a variety of genres including novels, poetry, short stories, and essays, we will consider how cultural texts can shape relationships between humans and the more-than-human world (including land, plants, animals, etc.). Our governing questions will include: What responsibility does “literature” have to “environment”? How does evolving knowledge about the natural world intersect with ethical, social, and political issues? How does fiction shape ideas about power, policy, and change? How can the fantastic, utopian, and poetic worlds help us grapple with pressing environmental issues, such as climate crisis and access to natural resources?

 

 

2640: Studies in Film

Prerequisites: ENGL 1007 or 1010 or 1011.


2640 |TuTh 3:30 - 4:45  |Gorkemli, Serkan 

In this course, we will study representations of immigrants and immigration in feature films. Readings and discussion topics will cover major film techniques (mise-en-scène, cinematography, editing, and sound), and we’ll analyze how particular filmmakers use these techniques in telling their stories. Weekly discussion of assigned films will illustrate the concepts covered in the readings. Assignments will include written reflections and in-class presentations about the films assigned.

 

3000-Level Courses

3503W: Shakespeare I

Prerequisites: ENGL 1007 or 1010 or 1011 

3503W | W 12:20-2:50 | Sarkar, Debapriya

Shakespearean characters continually conjure up the idea of a “world” to define the “stage”: “All the world’s a stage,” they tell audiences, and they invite spectators to witness “A kingdom for a stage.” In this class, we will pursue two related metaphors—the world was a stage, and the stage was a world—to ask: how is the world represented theatrically? How does the theater—and especially Shakespeare’s Globe Theater—become a microcosm for the globe? How does the theater emerge as a space that uses discourses of nationhood, language, ability, gender, and religion to define “English” identity? How might a return to the early modern stage enable us to understand the long history of globalization?

We will read across various dramatic genres, and we will focus on Shakespeare’s sonnets. We will pair our readings with adaptations and filmed performances of plays, and we will watch scholars and artists share their expertise on Shakespearean drama.

3611: Women’s Literature 1900-Present

Prerequisites: ENGL 1007 or 1010 or 1011

3611| TuTh 12:30 - 1:45 |Cramer, Patricia

 

 

 

3629: Holocaust Memoir

Prerequisites:  ENGL 1007 or 1010 or 1011, open sophomores or higher.

3629| Th 5:30-8:00| Roden, Frederick

Eighty years have passed since the end of World War II, and literature concerning the Holocaust continues to be published.  The historical event survives as a lived experience through its ongoing cultural production.  As the events and people connected become part of the past, history unfolds through representation.  This course concerns the notion of "survival" and "survivors," as well as “memory” and “memoir,” broadly conceived.  As we contemplate the atrocity of genocide, hope and resilience serve as recurring human themes.  We will interrogate the meanings of “altruism,” “rescue,” “resistance” and "humanitarianism" – as well as “survival,” and “memory” -- at individual and collective levels.  What do studies of "survival" teach us about community and human relationships?  What does “the Holocaust” tell us about individual/collective memory and the genre of memoir?  What does it mean to create “art from the ashes”?  In reading literature as the work of memory, we will explore how trauma shapes identity as well as the commitment to write, to document the “unspeakable.”  We will consider a variety of genres: including diary, memoir, poetry, and even fiction.  These forms share an absolute imperative – at times even a compulsion – to speak their truth and tell their story.  How do we (in E. M. Forster's words) "only connect"?  How do we remember?  How do we survive?

Students will mainly study book-length works of non-fiction.  Class time will be spent discussing those works in their historical and narrative contexts.  Assignments include regular written responses to the assigned texts (brief and informal), a term paper (commensurate to a 3000-level non-W English class), a short written “memoir” to reading works of Holocaust memory, and a field trip to a museum that documents this history (a substitution will be offered to those unavailable).

 

Engl 3629 is open to any student who has completed Engl 1007 or 1010/1011.  While sophomores and higher can register directly, first-year students may contact the instructor (frederick.roden@uconn.edu) to discuss appropriateness to enroll from their level.  There is no expectation of background knowledge in Holocaust/Genocide Studies, Modern European History, Memoir, or other area studies. 

For current English plans of study, Engl 3629 counts for an Antiracism, Globality, and Embodiment (Group 2-Difference and Diaspora) requirement; it is found in the major “track” on Literature, Antiracism, and Social Justice; and serves as elective major and minor credit.  For 2017-2020 plans of study, Engl 3629 serves a major elective.  It satisfies an international requirement in the TCPCG and IB/M pre-teaching preparation. Engl 3629 counts for the English minor. Engl/HEJS 3629 also counts for the Human Rights major/minor.  For General Education it satisfies Category 1b and Content 4-International requirements, and in Common Curriculum the Topics of Inquiry 2 (TOI-2) “Cultural Dimensions of Human Experience” and TOI-3 “Diversity, Equity, and Social Justice.” 

 

 

3715E: Nature Writing Workshop

Prerequisites:  ENGL 1007 or 1010 or 1011, sophomores or higher.

3715E| W 3:35-6:05| Newell, Mary 

 

 

 

4000-Level Courses

4203W: Advanced Study: Ethnic Literature: Topic: Music in African-American Literature

Prerequisites: ENGL 1007 or 1010 or 1011; at least 12 credits of 2000-level or above English courses or consent of instructor; open to juniors or higher.  May be repeated for credit


4203W| W 9:05-11:35| Pierrot, Greg

This course proposes to explore the ways in which musical traditions have informed African American literature—inspiring authors, channeling concerns and questions about society, aesthetics, existence from one form to the other. We will be reading a variety of material from the 19th to the 21st century, including essays by Frederick Douglass, Amiri Baraka or Angela Davis, poetry by Sterling L. Brown, Langston Hughes and Sonia Sanchez, and fiction by Toni Morrison, Gayl Jones or Ralph Ellison, to name but a few. We will also listen to the sounds that resonate in those texts, from field hollers and spirituals to the blues, from free jazz to funk, soul to hip hop. I will regularly lecture on the historical and cultural background to our readings, but you will be expected to participate and foster class discussion. Therefore, participation is essential and will be part of your grade. Of course, I expect you to keep up with the reading and to prepare for class. Class attendance in a literature class is essential for a good grade, and I expect you to attend class regularly. Students will be expected to participate and turn in short assignments on a regular basis, as well as two essays.